Wednesday, February 15th, 2012

I’m generally not an emotional guy.  Why then, am I having such a difficult time parting ways with the first two barrels that ever held my wine?

The time has come to cruelly determine which of our used oak barrels must be sent out to pasture, literally.  I’ve been through wars with these veteran barriques.  They’ve seen good wine, bad wine and everything in between.  Some have been a working fixture in our barn for eight years.  Now you must decide which old soldiers can no longer carry out their job, good luck with that!  This unceremonious send-off just doesn’t seem to befit such a valuable part of our winery.

Good oak is the winemaker’s not-so-secret weapon.  Sure they are expensive (our largest capital expense from year to year) but they are essential.  I’ve come to learn that new oak should never be taken for granted and never be used in overabundance.  Too much new oak can mask and possibly ruin the fine subtleties of an aging wine.  Restraint should always be exercised.

My attachment to each individual barrel is surely due to the small size of our operation.  Over time I become acutely aware of their “personalities” through weekly tasting and topping regimens.  Some are big softies, while others are boldly complex.  Some barrels make the retirement decision easy for me.  No amount of sterilization can rid them of the contaminants they’ve accumulated over the years, so out the door they go.  But what about the barrel who’s only knock is it’s old age and bland neutrality?  That is the dilemma staring me in the face right now.

Back in 2004, under the guidance of Creekside Estate Winery winemakers Rob and Craig, I assembled a two barrel blend of Cabernet Sauvignon sourced from our vineyard.  With a pool of twelve barrels to choose from, we experimented with 50L from here and 25L from there until we all agreed upon a blend that I could confidently open a winery with.  It was decided that the wine should be housed in a couple of beautiful, two year old French oak barrels made by Burgundian cooper Claude Gillet.  The wine would stay cloaked in these barrels until 2006, when we bottled our first Five Rows release - the 2004 Cabernet Sauvignon.

Those same two Gillet barrels proved tremendously versatile with each successive vintage of Five Rows Cab Sauv.  What they lost in intensity each season, they gained in character and elegance.  This past week I racked some 2009 Cab Sauv from the Gillet twins and was pleasantly surprised at the finished product.  I didn’t hold out much hope for the 2009 Cab at this time last year, but an additional 12 months spent soothing in neutral oak really did the trick.  We’ll bottle the 2009 Cab Sauv this spring.

So there they sit after ten long years of service, empty and willing…but sadly there is no wine to fill them.  Now the decision is upon me.  No more stalling filibusters, it’s time to take these two out behind the barn and “pop the bung” for good.  I swear I’d have an easier time putting down Old Yeller.  At least he had rabies.

One day soon I’ll crack a bottle of 2004 Cab Sauv in their honour.  Few times will I enjoy a bottle more.

Friday, December 2nd, 2011

Now that I have a few moments on my hands, it’s probably a good time to do a little housekeeping and update everyone as to which wines we currently have available.  After a busy summer, I regret to inform that the 2010 Sauvignon Blanc and Pinot Gris have officially been sold out, but the following two wines can now be enjoyed:

2008 Five Rows Cabernet Sauvignon

Much will be written about the fabulous “Bordeaux” reds from Niagara in 2007 and 2010.  Little to nothing will be written about the late-ripening reds from 2008 and 2009.  For that reason, I am perhaps more proud of the Cabernet Sauvignon we grew and vinified in 2008, than any other wine we’ve produced.

Trying climatic circumstances called for extreme measures in the vineyard.  As the harvest approached, it became apparent that early season thinning and leaf removal efforts were not going to cut it in 2008.  We doubled our efforts and dropped more fruit than I am normally comfortable with.  The winery I envisioned, however, could only be built on these tough decisions.

On October 24th we harvested only 68 picking boxes from two full rows of our Clone 169 Block.  The fruit was very clean and showed surprising ripeness in both flavour and tannin for its 22.5 degrees Brix.  It was a pleasure to pick and process.  We went on to harvest 82 more picking boxes from our “Old Block” on November 2, after extracting as much life as we possibly could from the dwindling foliage.

The two blocks of fruit were processed into separate one tonne bins, and cold-soaked on the skins for five days.  I decided to try a new yeast strain, Zymaflore FX10, with the slightly riper Clone 169 fruit.  FX10 is known to produce wines defined by their elegance through a combination of structure, volume on the palate and intense colour.  The Old Block fruit was fermented with F15, a new favourite yeast of mine after a successful experiment in 2007.   Both ferments concluded uneventfully after six days with peak temperatures around 30C.  The wine was left on the skins for a further 4 days of post-ferment maceration before pressing.

Malolactic fermentation was carried out in 1 new and 3 older French oak barrels.  It was left in oak for 24 months before final blending and bottling on April 6th, 2011.  Based on previous vintages, I felt that two full years spent in barrel and resisting the temptation to use more new oak were essential to properly aging this Cab Sauv.

The two blocks produced remarkably different wines, ultimately leading to an interesting, complex blend.  I’m always amazed at the differences between individual barrels of wine from the same vineyard.  Is it due to terroir, clonal difference, oak influence, yeast strain, fermentation dynamics or all of the above?  As the years go by I hope to peel back the layers and discover just what makes our Cab Sauv end up the way it does.

The 2008 is an elegant wine, with an aromatic intensity that is unexpected by many who’ve tried it.  It has a delicate, soft mid-palate that suggests early drinkability, unlike 2007.  It is very reminiscent of the 2004 Five Rows Cabernet Sauvignon at this early stage.

2010 Five Rows Riesling  “Jean’s Block”

The 2010 vintage was a hot one.  Niagara vineyards amassed more growing degree days than any year in current recorded history.  This is perfect for ripening reds but can present challenges to producing crisp, aromatic whites.  It was very easy to produce “flabby” and “blousy” white wines in 2010 if grapes were over-thinned, over-exposed to sunlight or left hanging too long.

We harvested and pressed about one tonne of Riesling from Jean’s Block on Septmeber 30, a full two weeks earlier than in 2009.  The picking decision was based strictly on acid and flavour.  Around mid-September the grapes had plenty of sugar (19 degrees brix) to make the style of Riesling I was after, but it took a while to coax out the wonderful flavours I remembered from last year.  Waiting too much longer to pick was a risk, however, as acid levels were declining quickly in the late summer sun.  So September 30th was the day I pulled the trigger.

Following the addition of pectinase enzyme, pressed juice was cold-settled at 4 degrees Celsius for two days.  The clear rackings were then inoculated with W15 yeast, a great choice for optimizing bright fruit characters in aromatic whites.  It’s also a good cool-fermenter, able to withstand temperatures as low as 10C.

I was able to stretch the ferment over two months at an average temperature of 11C.  It was stopped at a specific gravity of 1.005, a level that I felt exhibited balance to my palate.  You have to be careful when stopping a ferment for off-dry balance as sometimes the carbon dioxide bubbles can lead to a raised perception of acidity, tempting you to halt the ferment too soon.  My rule of thumb is to taste often until I find the right balance, then wait 12 hours before killing the ferment.   It seems to have worked for most of my whites thus far.

Over the course of the next three months, the wine was cold stabilized, fined with bentonite and sterile filtered.  78 cases were bottled on April 6, 2011.  As with the 2009, this Riesling went through a lengthy period of bottle shock before I was comfortable that it had returned to the wine I remembered in tank.  Consequently, we waited to release the Riesling three months later than our other 2010 whites.  In the end this proved advantageous, as the 2010 Sauvignon Blanc and Pinot Gris both sold out very quickly.

Aromatics: citrus, peach, floral notes

Palate: a surprisingly weighty Riesling, it has ample acid to balance the slight amount of residual sugar; pleasing minerality and fruit characters

Price: $25.00/bottle

Production: 78 cases

Sunday, November 13th, 2011

As winter draws near, it’s fitting that our 2009 Cabernet Sauvignon Icewine is finally ready for release.  The bottles are signed, the labels have been folded and the wine is drinking beautifully!

Excitingly, we were just informed that this wine has received a silver medal in the Icewine category at the 2011 Canadian Wine Awards.  Full results will be made public in the December issue of Wine Access.  I must admit that this was not an easy wine to make (it drew my ire on many occasions) and to be recognized in this manner is especially gratifying.

I remember the day we harvested this fruit very fondly.  After an evening of perfect freezing conditions (-12 degrees Celsius) it was decided that we would hand pick five rows of specially selected Clone 169 Cabernet Sauvignon.  A beautiful day unfolded before us, with a light snow gently filtering the weak rays of winter sun.  Having spent the last three months fending off voracious flocks of starlings, the relief of harvesting was palpable that morning, and probably helped us brave the cold.

I quickly learned that everything involved in Icewine production is slow and difficult.  Pressing was a very long and drawn out process, but we were thankful for each singular drop of juice that slowly dangled and fell from the press spout.  The fermentation was also a marathon, as yeast don’t normally take kindly to such extreme conditions.  Proper nutrition and attention to fermentation dynamics were of the utmost importance.  Slowly but surely the sugar became alcohol and the amazing Icewine flavours began to reveal themselves.  The goal was to produce an Icewine that would not be perceived as being “too sweet” and I think we achieved that.

The challenge continued when it came to filtering and bottling this lucious, thick liquid.  In fact, it required as many pads to filter this measly 270L as I used for the rest of my entire 2009 vintage!  Bottling into narrow 200ml glass was a treat as well.  First the corks wouldn’t fit properly, then the bottles started tipping over on the filling line.  Keep in mind that any spillage of icewine is magnified many times simply due to it’s scarce supply.

Perhaps the easiest and most enjoyable part of this wine was the label design.  It’s a fun process and I’m always impressed with the original concepts that are born on the magic blackboard at Insite Design.  They always seem to come up with ways to make my wines feel special.  For a sneak peek at the package concept of this wine click here.

Many times over the course of this Icewine experiment I promised myself that under no circumstances would I ever do this again.  Based on the tremendous response to this wine, however,  I may now have to eat crow and reconsider.

Sometimes crow tastes good.

Sunday, June 19th, 2011

2008 Five Rows Pinot Noir:

Now that we’ve been at this venture for a few years, it’s interesting to look back at my old blog entries upon the release of a new wine.  This entry from October 6, 2008 aptly tells the story of our 2008 Pinot Noir:

“Vintage ‘08 is upon us and to this point things have been…well…in a word …WET!!  Enough rain already.  I mean just when I thought we were in the clear we got doused by the remnants of a hurricane, and for the record: I don’t like Ike. Thankfully, the last couple of weeks have more than made up for the rain, with plenty of sunshine and perfect ripening conditions for the early varietals.

As per usual, the “Heartbreak Grape”, Pinot Noir, lived up to its moniker and provided lots of nervous moments and second guessing.  In fact, one day in the vineyard while pondering a harvest timing decision, I found myself singing aloud to the Clash hit “Should I Stay or Should I Go”.  The Pinot were clean but slightly underripe, with threatening weather on the horizon (“If I go there will be trouble / And if I stay it will be double”).  Ultimately, we decided not to pick and wait out what suddenly became Hurricane Ike.  All the water led to some berries actually splitting and roused us into action.  Led by a Pinot-loving mother hell-bent on saving her crop, the three of us spent two mind-numbing days cutting out individually split berries and underripe clusters.  On September 16th and 17th we finally hand-picked our first two tonnes of fruit.  In the end, what came in was ripe, clean (thus receiving the Wilma stamp of approval) and fermented into some really intriguing stuff.  I experimented with a new yeast strain this season called W15, which after pressing today, is the early favourite to put into our 2 new Sirugue barrels.”

Fast-forward to 2011 and that Pinot-loving mother can be proud of the wine she helped save.  The 2008 is reminiscent of many past wines featuring Lowrey Pinot.  A classic blend of bright cherry fruit, some floral notes and spice dominate the nose.  Flavours of black raspberry and vanilla bean resolve into a pleasingly soft mouthfeel.  Tannins are much more approachable than the 2007 Five Rows Pinot Noir at the same stage.

Technical Data: 12.6% alcohol,  5.4 g/L residual sugar,  pH 3.45

Price:  $50/bottle

Barrels: 5

Production: 106 cases

Friday, June 3rd, 2011

2008 Five Rows Shiraz:

The tale of Lowrey Shiraz began many years ago with a firm handshake.  Our relationship as a grower for Creekside Estate Winery started in the late 90’s and continues to this day.  Shiraz is a staple for Creekside, grown and vinified to perfection year after year.  Given this success, we naively agreed to plant some of these vines soon after our partnership began.  Little did we know just how sensitive and vigorous Shiraz could be!

This combination of winter sensitivity and summertime vigor is a challenging prospect for the grape grower.  Early in their lives, these vines saw some pretty severe winters that almost led to their extinction in our vineyard.  Massive re-plantings and constant re-trunking were needed to restore their numbers.  Our hard work and patience was rewarded with some stellar vintages in the 2000s, ultimately inspiring me to take a crack at making my own Shiraz in 2008 (and yes, it will always be “Shiraz” not “Syrah” to us because we planted it for an Aussie!).

The fruit for this wine was harvested on October 23 following some pretty dodgy conditions in the summer of 2008.  We initially thinned the vines down to two bunches per shoot, but had to remove additional clusters in the fall, as it became clear that ripening would be a challenge.  We hand-harvested about one tonne of fruit from each of our Shiraz clones (7 & 100), then sorted before de-stemming into fermentation bins.

A long cold soak was employed to help with colour extraction and tannic development.  I chose to ferment the slightly riper Clone 7 fruit with RX60 yeast, but opted for F15 with the Clone 100 bin.  Ferments were carried out at an average pace, with four daily punch-downs.

One new Taransaud barrel, two older French and a lone American oak barrel were used for the maturation process of this wine.  Malolactic fermentation was carried out in barrel.  After 24 months in oak, the final blend was assembled and allowed to mingle for about 8 more months.  This exciting wine was bottled April 6th, 2011.

Aromas:  blackberry, black currant, lavender, smoked game

Flavours:  dark chocolate, coffee bean, raspberry

Production:  105 cases

Technical data:  13.0% alcohol,  pH 3.30,  TA 8.55

Price:  $50.00/bottle

Friday, April 8th, 2011

In the past, all of our bottling has taken place offsite at other wineries.  There was always a calming sense of security associated with these occasions knowing that we were at a place where this had been done many times before.  On the eve of the first ever bottling day at our own barn, these secure feelings were nowhere to be found.  I’d spent three months preparing and going over every possible problematic scenario in my head, but doubt still lingered.  Would there be enough room to maneuver in our barn? Would the truck fit on our crush pad?  Would my bottle choices pan out and, most disturbingly, would bottling icewine prove to be the  nightmare I had heard tale of?

All these troubling thoughts kept me awake on the eve of April 6th.  I was to be at the barn for 6am sharp the next morning to greet Glenn Hunt and his mobile bottling crew.  As the minutes ticked by, I actually started feeling nauseous and got up to take some Pepto Bismol.  It didn’t help.

I took solace in the fact that Glenn and Randy do this every day, convincing myself that they must have encountered every conceivable problem and were very seasoned at dealing with anxious winemakers.  It was still dark when the truck rolled in and right away Glenn put me at ease when he looked up at the clear sky and confidently stated, “It’s going to be a great day for bottling!”  If he could be excited about today, then why couldn’t I?

My second boost of confidence came at the arrival of my father-in-law and brother-in-law who had graciously offered to lend a hand.  More important than their braun, they offered a good dose of comic relief that kept us all loose despite the fast-paced dynamic.  In times of stress I’ve found that it’s good to surround yourself with hardworking Polish pranksters.

Set-up took far less time than I had anticipated and the first Pinot Gris bottles were rolling off the line by 7:30.  Riesling, Sauv Blanc, Pinot Noir, Shiraz and Cab Sauv followed in quick succession.  I figured it must be close to lunch at that point and had to look twice when my watch read 10:30!  We were flying - but the dreaded icewine still loomed.

Bottling into 200ml icewine glass presents a bevy of problems to the line.  The bottles are very tippy, and filling consistently with such a small amount of wine is tricky.  Thankfully, our Cabernet Sauvignon Icewine was fairly cooperative and we were able to wrap up bottling by noon.  I’d endured months of sleepless nights and we had bottled our entire 600 cases in half a day…the sheer stupidity of this is not lost on me.

I would like to thank Glenn, Randy and all my helpers for making the first Five Rows bottling day a huge success.

Monday, August 23rd, 2010

Every vintage and every wine has a story.  Some are thrillers, some are tragedies, some are uplifting romantic dramas and some, like the story of “Howie’s Own” 2008 Vidal, are dark comedies.

Tonight I cracked a bottle of this ‘08 Vidal (bottled elegantly in a recycled Creekside Cabernet bottle) and marveled at the irony of how this wine that I cared about the least, neglected the most, and don’t sell to the public, turned out to be so damn good.

It’s an understatement to say that I wanted no part of making this wine in the late fall of 2008.  Those unfortunate enough to be around me at that time would no doubt be able to describe the kind of mood I was in.  Frazzled and crabby only begins to describe my state of being.  Having just completed our first full-scale “Five Rows” vintage, in facilities that rivaled only the most modest of U-Brew joints, I’d actually spent the majority of my time scouting vineyards for other wineries to make ends meet.  I was officially burnt out.

With evey sip of Vidal the stroy gets clearer.

My father, and I give him credit for mustering up the courage to do this, meekly suggested that we make a small tank of Vidal from the little bit of leftover fruit that falls onto the ground after mechanical harvesting, just for the fun of it. The fun of it?  ”You’ve got to be kidding me!”  I thought or perhaps yelled aloud along with some interesting adverbs.   I’d been slugging away for three months straight and making Vidal for fun was not high on my To Do list.  I didn’t have the tank space, the yeast or the patience for this venture and made my feelings perfectly clear to a bewildered Howie.

“No problem.” he calmly stated, “I’ll make it myself.”  Now this was funny.  He didn’t have the foggiest notion about the practice of whole bunch pressing, the use of pectic enzymes, the protective benefits of potassium metabisulphate or how to properly monitor a fermentation.  ”Good luck with that!” I rudely exclaimed.

I arrived early the next morning to see him diligently stooping to pick up the fallen bunches of Vidal.  I went on to tend to my other wines and after a while he pulled up to the crush pad with his wagon load of roadkill.  Then, in a fateful moment of weakness, I decided to can the attitude and help my old man press some grapes.  I suggested we press them “whole bunch” in an effort to be gentler on fruit.   I’d done this before with Chardonnay in Nova Scotia and really felt that the end product was more complex.  It also meant skipping the destemmer-crusher, which I didn’t feel like cleaning anyway.

We loaded the press quickly, I was probably still giving him the bum’s rush, and soon the sweet free-run juice began to flow.  Normally, pressing is done slowly with gradual increases of pressure and a periodic break-up of the press cake.  Sadly, this was not our protocol.  I cranked the pressure input valve, quickly achieving one bar of pressure when, mysteriously, the free-run juice stopped flowing.   Judging by the high-pitched squeal emanating from behind the wooden slats, I guessed we had an air pocket somewhere within our small basket press.  Stupidly, instead of dismantling the press and breaking up the cake, I increased the pressure and leaned in for a closer look.  All of a sudden, in one almighty instant, a tsunami of angry Vidal riding two bars of pressure streamed violently between a crack in the press screen, directly into my eyes and clear onto the roof of our barn!

Now if I say that I hit the ground and rolled around like I thought I was blind for life…it wouldn’t be a lie.  I tend to be a bit of a drama queen at times, but I swear that this situation warranted my blasphemous screams.  When I think back now, I truly believe that I’m lucky I wasn’t seriously injured.  A seed or stem hitting an eye at that velocity could have done some serious damage, but the juice just stung.   When I regained my vision enough to see blurry images, I quickly felt around and opened the pressure release valve to stop the geyser.

There are still a few Vidal skins adorning our barn roof to this day.  When my dad and I recovered from the shock of the situation, we had a good and much needed laugh.  I think we agreed not to tell my mother how bad it really was, but she will know now.  Sharing that experience was priceless.  I will never forget the look on his face when my vision finally returned.  It was a weird amalgam of shock and stifled laughter that he’d be hard pressed to ever duplicate.  Winemaking has since seemed less complicated and my attitude at vintage time has lightened tremendously.  Taking time to enjoy the experience is my new motto.

In the end, we were able to scrape together some yeast and cold-fermented the Vidal in a small stainless steel tank.  Last summer we bottled (more or less siphoned) 23 cases of Vidal, unfiltered, into sterilized, recycled bottles.  We’ve been enjoying it ever since.  The aromatics and presence of this wine are captivating.  Our supplies are getting low, however, so maybe we’ll make some again this year…just for fun.

Friday, April 30th, 2010

Sunday, January 3rd, 2010

At 8:03 AM on January 2nd, a new era began at Lowrey Vineyards.  As the sun peeked over the escarpment we welcomed the dawn of our very own “Ice Age”.   After an evening of perfect freezing conditions (-12 degrees Celsius) it was decided to harvest five rows of Cabernet Sauvignon, our first foray into the world of Icewine.  A beautiful morning unfolded before us, with a light snow gently filtering the weak rays of winter sun.  It soon became clear that picking the fruit and braving the cold are the easy part, and actually quite enjoyable.

To understand the travails of pressing frozen grapes to yield minute amounts of juice, I want you to imagine trying to squeeze a tray of ice cubes in an effort to produce water.  It takes equal amounts of pressure and patience I assure you!  Too much of the former and not enough of the latter can lead to problems…big problems.  Less than a minute into the second press load I cranked up the pressure and was horrified to hear the sickening hiss of a slow leak in the press bladder.  Luckily we had a back-up bladder on hand, but the subsequent dismantling of the press load and bladder re-assembly really set us back.  In the end, patience prevailed and the luscious Cab juice began to flow.  It was thick, sweet and full of super-concentrated flavours of ripe strawberry and raspberry.

At this stage the plan is to make a traditional Icewine, but I could be persuaded to ferment it a little longer for those seeking more of a drier, “late harvest” style.  Initial feedback tells me that Icewine is often perceived as being “too sweet” for some palates (including mine at times), but I challenge those people to try Cabernet  Sauvignon or Cabernet Franc Icewine with dark chocolate or strong cheeses.  Simply delectable!

Thursday, October 29th, 2009

When you get to a point where the line between work and life is so blurry that the majority of your day seems like filler between fixes of caffeine, and what little sleep you do get is haunted by images of Multi-coloured Asian Lady Beetles and under-ripe Cabernet Franc…it’s best to step back, focus, and re-consider exactly why you do what you do.

Thankfully, success breeds perseverance.  The following are two reasons why I still choose life as a winemaker:

2005 Cabernet Sauvignon

A severe winter led to an average of 50% bud damage in the Lowrey Vineyard.  This Cabernet Sauvignon was sourced from vines that were shouldering a much lighter load than they were used to, hence a greater opportunity for ripening was in the cards.  Thankfully, the growing season weather co-operated and the resultant fruit was as good as has ever been produced on our farm.  The St. David’s Bench microclimate really strutted its stuff, with even the later-ripening Cabernet Sauvignon reaching optimal sugar and TA levels.  Like our first “Five Rows” vintage in 2004, we took equal portions of Young and Old Cab Blocks to maximize clonal complexity.  Following traditional small batch punch downs, the wine was aged in a 50-50 blend of American and French Oak with an average age of 1.7 years per barrel.  A comparative barrel tasting took place on July 5, 2007 and as with previous years, the highest rated wines were housed in two-year old wood (a 2003 Barrel Associates & 2003 Berthomieu).  These two superior bottles were bottled on July 18, 2008.  This wine showcases the potential of minimally-cropped Cabernet Sauvignon from warm vintages in the Lowrey Vineyard.  Aromatic highlights include wild blueberry, ripe cherry and vanilla.  Very ripe and jammy on the palate with soft, mature tannins and excellent length.  Although hard to resist its youthful charm, this Cab is only entering its prime.

Barrels: 2       Cases: 45        Alcohol: 13.4%         Price: $50/Bottle

2008 Pinot Gris

In an effort to instill confidence, I tell my wines that it is never fair to compare themselves to their predecessors.   For that reason we won’t speak further of the effusive praise garnered by the 2007 Five Rows Pinot Gris.  Some shoes are just too big to fill.

Harvested on September 19, 2008, this Pinot Gris began its life fermenting slowly in stainless steel and older French Oak.  The oak component was added in an effort to further enhance mouthfeel and increase aromatic complexity.  A nice cool ferment, dotted with periodic lees stirring, was complete by mid-October.  The finished wine was blended, then fined with bentonite for protein stability.

Early tasting sessions showed strong notes of McIntosh apple and anise, while one panelist was sure he could smell “catbox” (depending, of course, on the type of litter you prefer).  The French Oak and lees stirring helped create rounder texture and seemed to lend tropical nuances such as star fruit.  The wine was left with just enough residual sugar to balance the acidity.  Lemon-lime citrus flavours are predominant.  Bottled September 14th, 2009.

Cases: 57             Alcohol: 13.3%       Price: $25/Bottle

Both wines are now available for purchase!